Lattes in hand, we’re heading out of the café on our way to the video store when George notices the shelf full of books on the wall and pauses to quickly scan the titles. “So what’s the difference between romances and porno anyway?” she asks.
“Great question,” I answer, holding the door for her as we head out to the car. “I think of romances as having plots and character development, with the sex being secondary and typically related to or forwarding the plot or development of a character or characters’ relationships, while porn—not that I’m an expert on porn,” I add quickly, since I’m something of a mentor to George, “—well, porn tends to be more about the sex, and primarily for purposes of stimulation.”
“Hmmmmm,” says George. “And what’s the difference between soft-core and hard-core porn?”
“Hmmmm,” I say. “Again, this is purely speculation on my part, but I’d say that ‘soft core’ is more about suggestion, leaving a lot to the reader’s or viewer’s imagination, whereas ‘hard core’ is pretty graphic, either visually or descriptively. Actually,” I continue, suddenly remembering, “I once kinda wrote soft-core porn.”
“You wrote soft-core porn? Wait ’til I tell Harry!” exclaims George. “This is going on Facebook.”
“No, wait!” I say. “It’s not quite like that. Seriously. No Facebooking.”
“So then ’splain yoself, ho,” demands George.
It was my first job out of college at 23. Despite having a degree in history and language, I was itching to write, and so of course I responded when I found the ad “Writer Wanted” in a peninsula newspaper. I called about the job every day for two weeks, until the managing editor finally called me back and had me in for an interview, and then I called every day for four weeks after that until she hired me. “I couldn’t stand getting another voicemail from you,” she said, when she finally gave me the job.
“You want to write? You’ll be writing.” That’s all she needed to tell me. Never mind that I’d be writing for an odd mix of magazines – a fitness mag, a women’s bodybuilding mag, and a swimwear mag – which essentially served as wrappers for a swimwear catalog, swimwear being the publisher’s other line of business. Talk about blind ambition; I was ready to do anything to be a professional writer.
“So here’s the deal,” explained Mona, my editor, on day one of the job. “Jed, Suzie and I,” she nodded at my two somewhat taciturn writer colleagues, “will handle the writing for the fitness and bodybuilding mags, since that’s our area of expertise.” (Aha! That explained Mona and Suzie’s necks, which although similar to Jed’s, were beefier than one usually sees on women.) “You’ll help out with those, but you’ll mostly handle editorial for the swimwear mag and the new cheesecake mag we’ll be launching soon. (Fitness, swimwear, food; an ever-more-eclectic editorial mix, but variety would keep things interesting, I thought.)
“Anyway, we’re officially on deadline; just a week before we go to press on the swimwear mag,” continued Mona, “And we haven’t started yet.” (Which, I soon came to discover, was always the case.) “So we need to get moving. And the first thing you need to do is write the Letters to the Editor.”
“You mean edit letters we’ve received from the readership?” I asked.
Mona, Suzie and Jed laughed. “Yeah, sure, if you can find anything worth printing. But most of them are from prisoners. You’ll see,” Mona said, smirking at my shocked expression. “You gotta make that shit up, honey. And it’s gotta be some good shit.”
I felt squeamish about pushing the boundaries of ethical journalism with faked reader feedback. So I did my research; I spent 12 minutes reading through the sorry little pile of letters to the editor, most of them penciled in all caps on folded sheets of lined notebook paper. The gist (minus the spelling and grammar errors) was this:
“Dear [insert name of model here], I really liked those sexy pictures of you in those sexy bathing suits in the last issue. I imagine your sexy self here keeping me company at night. I really would like to hear from you. Would you write to me and send me some more of your sexy pictures, maybe some sexy pictures especially for me? Signed, [insert name here], [insert name of prison here].”
The few that were not from prisoners were letters from young women who included pictures of themselves posing in their swimwear in amateur shots most likely taken by their boyfriends or husbands, although there was the occasional polished professional shot, identified by its hallmark soft focus. I marveled that they entrusted us (the “dear editors”) with these photos, but couldn’t imagine actually using them.
Gulp. Within minutes, I realized I would have to make shit up. We were on deadline, we had no content, my editor had told me it would be this way, and I guess my soul was a cheap sell; the lure of the opportunity to write was too powerful. First, letters to the editor, and if I proved myself with those, then who knew what next?
“So you did it?” asks George. “And this relates to soft-core porn – how?”
“I’ll show you,” I say. When we get back to my house after a stop at the video store, I rummage around in my filing cabinets and pull out a copy of the magazine I wrote for some 22 years ago now. I flip to the Letters section, skim it and cringe.
George grabs it from me and reads aloud:
“Dear Editors,
I happened to pick up one of your swimwear catalogs a few weeks ago. At first, I blushed at some of the designs—I knew I was too self-conscious to wear them. However, I’d spent the whole summer working out, and so I was feeling quite good about my body. Why not show it off?
Well, I ordered the white gauze bikini through your toll-free line, receiving it through the mail only a few days later” –
—“I thought that was especially clever,” I interrupt George. “I managed to work in the toll-free ordering and the fast fulfillment in the letter. Nice, eh?”
“Eh,” says George, and continues.
—“I tried it on immediately and found the fit was absolutely wonderful. Never have I felt so comfortable in a bathing suit. It was the closest thing to wearing nothing at all that I have ever experienced.
How true this was became readily apparent a couple of weeks ago when I was vacationing in Mexico. Needing to cool off a bit after sitting under the blazing sun, I decided to take a dip in the ocean. Upon re-emerging, I found the eyes of most of the people (and all of the men) on the beach were riveted on me—and my wet gauze wrapping. A disconcerting sensation at first, but one I’m sure I’ll get used to.”
“Ugh! Harry’s mom!” says George. “You were a TOTAL ho-bag!”
“I know, I know,” I say. “But it did have some redeeming marketing qualities: I plugged the excellence of the swimsuit fit, toll-free ordering, and fast fulfillment, all in one entertaining package.”
“Ugh,” says George. “Did you write other porno too?”
“Well,” I say, “That gig did lead to a bigger assignment, as I expected.”
Pretty soon, Mona started giving me the Letter from the Publisher, as well as articles for the fitness magazines. And not just because I wanted to write. Often it was because she was nowhere to be found. She disappeared from the office for days at a time, leaving Jed and Suzie and me to do our best, writing stories when we had material and making shit up when we didn’t.
My biggest assignment came a couple of months into my employment. On one of her rare days in the office, Mona called together our motley editorial crew and told us we were going to launch the new cheesecake magazine. “I LOVE cheesecake,” I said, “And I know of a few good places for cheesecake. But that seems light fare for monthly content, if you’ll pardon my cheesey joke, heh heh.”
Mona barked a laugh. “Honey, are you for real? We’re talking cheesecake cheesecake. As in pin-ups. We’re doing a magazine featuring the wholesome girl-next-door in her favorite cheesecake shot. Send in those photos, gals – it’s content on the cheap, baby! We’ll also do a feature on the winner of our recent swimwear competition, and, of course, spreads of our regular models. We’re giving our biggest fan base”—(and here she meant the prisoners)—“what they’ve been asking for.”
And just as I was about to say, “Gag me with a spoon. I quit!” Mona added, “And you can write as much of this new magazine as you want.”
Hmmmmmmmm.
“Wow, Harry’s mom,” says George. “Sounds like a real moral dilemma. I’m assuming you quit?”
“Actually, I didn’t,” I say. “And maybe I was fooling myself, but I thought about it and decided to stay and do the magazine because I figured heck, one: I’d get to do all the writing, Mona being Mona and most likely absent; and two: being that I’d get to do all the writing, I could do an inside job, and make the magazine non-exploitative. Wholesome cheesecake, if you will.”
And I did try. Over the next few weeks, as I essentially wrote that first issue of Cheesecake magazine cover to cover, I took pleasure in knowing that I was doing my best to make the copy as smart and respectful as possible of these trusting young women—many of whom were, granted, more than happy to share photos of themselves scantily clad, for free, if they’d end up in a national newsstand publication.
I tried to set the tone for the new magazine with the opening paragraphs of the Letter from the Publisher:
“If you tried to trace the beginnings of man’s interest in images of women, you could start with the drawings scratched on the walls of our ancestors’ caves. Admittedly, those primitive etchings left much to be desired as far as sexy visual representations go, but they were the beginning of a multi-millennial fascination man has had with viewing the female form.”
I threw in some more history, to serve as a rationalization for the mag, while staking out turf on the moral high ground . . .
“There is one period that captured the modern male’s love of women better than any other—the era of the pin-up girl. In its World War II heyday, the pin-up epitomized an appreciative representation of women that was sexy . . . and fun. The swimsuits revealed just enough to stimulate any young man’s imagination, and the classic pin-ups—from Rita Hayworth to Marilyn Monroe—were provocative enough, even fully clothed, to take most imaginations to new heights. The pin-up girl was beautiful and sexy, without crossing the line of morality and good taste.”
“Nice,” says George. “Sneaky, if not a little academic with the vocab.”
It was. But not as sneakily subversive as my interview with the centerfold, Cherry – or so I liked to think.
A centerfold spread was one of Cherry’s prizes for winning the Cheesecake Swimwear contest. With Mona once again AWOL—at three weeks, now her longest absence—and Jed and Suzie with their hands full writing the other mags, I took the interview.
We did it by phone, which was just as well, because as determined as I was to pull something pithy out of this beauty queen’s mouth, this girl was an airhead, and I had to put myself on mute several times to jab myself in the hand with my pen to stay awake. Nonetheless, in the intro to the final article I wrote:
“Cherry is a young woman of engaging presence. She is stunning; one glance at her pictures and that fact is obvious. Shapely and lithe at 5 feet and 9 inches, she moves with grace and ease. But Cherry’s is a beauty that is much more than “skin deep.” Talk with her for a while. In conversation, Cherry’s charm, wit and intelligence captivate. No wonder then, that the judges chose her as the winner in the recent Cheesecake Swimwear contest.”
In truth, our interview was full of a lot of nothing, but I did manage to make her sound like a woman who was savvy to what she was doing and very carefully and consciously managing her body as her brand.
Not that anybody actually ever read the interview. I knew they wouldn’t once I saw the almost-final layout. There was Cherry, body oiled and topless, arms strategically crossed to conceal, while simultaneously offering glimpses of the upper or lower curves of her tits and her ass. She sported the infamous white gauze bikini bottom, which revealed that she was waxed within a millimeter of her you-know-what, and a red-lipped, open-mouthed, wide-eyed expression on her face as if to say “What? My top has gone missing? And you can almost see my you-know-what? Oh my!” That line of morality and good taste I’d mentioned in the Letter from the Publisher, yeah, well, it was left way, way behind in the dust, without a backward glance as the magazine veered off-course into soft-core porn.
I had tried. And failed.
“Wow,” says George. “So, essentially you pimped yourself, just like Cherry.”
“Yeah, basically,” I concede. “Except I both deluded and pimped myself. Much worse.”
Once was enough. I didn’t want to do it again. After we got the magazine out—and Mona still hadn’t resurfaced—I decided to take our publisher up on his open-door policy and have a discussion, in advance, about the next issue of Cheesecake, and how we might do a better job of staying on the “wholesome” side of the line if we did a little more preparation and had something like, say, a bona fide editorial plan and calendar, with management behind it.
He listened to me without saying a word until I was finished, and then he asked, “How long have you been here?”
“Almost three months, sir,” I said.
“Three months,” he said. “And aren’t you the one who wrote that article on Cherry?”
“Yes, sir,” I said, pleased that he knew.
“Crap,” he said. “That was complete, total, boring crap. You could have done more with that interview. Fantasy stuff. Shit like that. And you tell me you’ve been here just three months. What the hell do you know? Why should I listen to you? Get the hell out of my office.”
I looked at him blankly for a moment. And then I realized: He was right. If I was going to do this thing, I had to do it hard core. I was surprised to feel myself flooded from head to toe with a feeling of complete and utter relief as his words sank in. “Yes, sir,” I said. “More than happy to, sir. At once.”
And I left his office, went back to mine, and packed my things.
“And?” asks George.
“And then I left. And never went back. That was it.”
“Wow, Harry’s mom,” says George. “Now that was hard core.”
The Word Wench’s Weblog is a fictional memoir, and any resemblance to any person living or dead (you know who you are!) is purely coincidental. Please subscribe to weekly Sunday updates through RSS feed or by sending an email to TheWordWench@gmail.com